The Chinese “standing collar Zhongshan costume” is the most traditional feeling in Zhang Yimou’s view

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Clothing is closely related to the social experience, culture, and fate of human beings.

From “Heroes”, the simple atmosphere of the pre -Qin Dynasty; to “Ambush on Ten Faces” and “Golden Armor Mans with the City”, the magnificent aesthetic taste of the Tang Dynasty is reflected in the influence of Chinese aesthetics. Zhang Yimou’s work continues to refresh the Chinese and understand the traditional Chinese aesthetics; even leading the audience of the world to achieve a consensus on the cultural background of Chinese traditional beauty. For 20 years, Zhang Yimou wore a stand -up collar Zhongshan dress from Yuan Blanc de CHINE to attend various important occasions. He also has his own adherence to the beauty of traditional Chinese costumes.

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

Zhang Yimou’s movie “Ambush on Ten Faces”

In Zhang Yimou’s view, the Chinese style has its own most traditional Qi Festival and feelings.

In recent years, whether it is a native designer or a foreign fashion brand, it will be more or less in the trend of oriental aesthetics, try the use and exploration of Oriental elements. However, after the continuous efforts of the design industry, the design attention point of Oriental aesthetics has returned to the existing classics, such as the classic style such as cheongsam and Zhongshan. This phenomenon is also thought -provoking. Zhang Yimou has also discussed with the design of the Chinese style with the cooperation with the cooperation. The consensus that eventually obtained was also unreasonable. The most traditional part of the Chinese style cannot be easily abandoned.

Ni Ni’s interpretation of cheongsam in the movie “Jinling Thirteen Sisters”

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

For the Chinese style, excessive changes may not be easily accepted by the public. Zhang Yimou believes: “The future of the Chinese style is wide and narrow.” Although the elements of Chinese style clothing design are ever -changing, the Chinese costume recognized in the eyes of Chinese people is generally the style of Tangfang, Zhongshan costume and cheongsam.

Chinese style is the self -confidence and independence of Chinese culture. The Chinese are implicit, and Chinese culture is also implicit. In the implicit and restrained, there is a generous cultural precipitation. Therefore, Chinese clothing is by no means publicity.

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

Zhang Yimou’s movie “Heroes”

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

The beauty of Chinese clothing is matched with the Chinese body, complexion, black eyes, and black hair to the extreme. At the same time, in Zhang Yimou’s view, since the Qin Dynasty, the blacks admired by the Chinese can represent the appearance and characteristics of the Chinese, but also the implicit in Chinese style.

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

The color of the Qin Palace in the movie “Heroes” in Zhang Yimou is mainly black

From the cutting of Chinese -style clothing, the same is true. The size of the oriental people does not seem to be as tall and uneven of Westerners. Therefore, Chinese clothing is also different from the publicity of Western clothing. The oriental dress leaves a gap between the body and clothes to make the relationship between clothing and the body more subtle. Through this gap, Chinese costumes make Chinese people integrate together. The key to Chinese clothing is not to cover the shortcomings or publicity curves, but to leave more room for imagination through a “empty” concept.

The opening ceremony of the 2008 Beijing Olympic Games actors wearing elegant and loose white Tang costumes Taijiquan

Zhang Yimou used “stylish” and “generous” to summarize the impression of Chinese aesthetic clothing in his mind. Zhang Yimou also has his own persistence for the wear of Chinese aesthetic clothing.

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

Zhang Yimou is wearing the source Blanc de Chine Zhongshan dress

Zhang Yimou frankly stated that when he had just walked abroad with Chinese movies and participated in various film industry activities, he had experienced a period of dressing in a suit tie. The suit experience of the suit made him very uncomfortable. As he mentioned, the Chinese style is not a dancer, but solemn. Generological, simple, and decent is his overall requirements for Chinese wind costumes.

Under Jackie Chan’s recommendation, Zhang Yimou began to be in the formal occasion, wearing Zhongshan outfit from Yuan Blanc de Chine. From the second to today, Zhang Yimou’s persistence on Zhongshan costumes has persisted for 20 years. Zhang Yimou used the “style”, “generosity”, “practical” and “Chinese characteristics” to describe the Chinese stand -up collar Zhongshan dress series of Blanc de Chinese.

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

Yuan Blanc de Chine

From the awards ceremony, press conference, event, red carpet, and even the Oscar red carpet, the Golden Globe red carpet and the 2008 Beijing Olympic Games, Zhang Yimou insisted on the Zhongshan outfit of Blanc de Chine, who needed to wear formal clothes. Zhang Yimou’s movie “Great Wall” even rejected the clothing support of other brands during the premiere of the United States, and was still dressed in Zhongshan outfit from Yuan Blanc de Chinese. Zhongshan costume made Zhang Yimou feel comfortable and confident.

Zhang Yimou is dressed in Blanc de CHINE Zhongshan dress attended the premiere ceremony of the movie “Great Wall”

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

Zhang Yimou appreciates the persistence of the source, and also appreciates the source of low -key innovation in the low -key innovation in details that the source Blanc de Chine. As a director, Zhang Yimou believes that his work and fashion have some similarities, and they all discover beauty, experience and performance beauty.

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

YT editor

中国人的“立领中山装”,在张艺谋看来是最为传统的情怀

Clothing is closely related to the social experience, culture, and fate of human beings.

Yuan Blanc de Chine